Well, at least now people will holler on you Dixie !039aOSJKJA 2013/07/27 (Sat) 01:20 No. 172319 ▼ File 13748880064.jpg - (189.86KB, 800x924 , Lee__traveler_petersburg.jpg)
>[X] The Florist's. We should drop off this package post haste.
"Alrighty, ma'am. I'll get right on that," you say as you take the bag. "I should probably be off right now, less this Eye-ya comes around starting trouble."
"'Aya'. And sadly, yes," she says as she follows you to the door. "I'm so sorry, but I just finished dealing with that damn tengu, and I would like some peace and quiet before she turns my way again," She glares at the trees through the open door. "That is, if she isn't already halfway through printing the next Bunbunmaru with your picture on it."
You smile a sad smile and nod. You have no idea what on Earth she just said.
Walking over to her, you find Virginia WAS thirsty: she's managed to drink the entire bucket in the short amount of time you were in Alice's house. You also find the group of flighty Shanghai (s?) investigating her some more, while also attempting to feed her some dandelions. Virginia is still contentedly munching away on the last one as you secure the satchel Alice gave you to her saddle.
"Say," you ask as you unhitch Virginia from the post you tied her to, "What am I supposed to do out there?" you say as you gesture at the forest. "What if there are more of those...wha'd ya call them things... 'yoke-eyes'"...out there? When I shot the one that attacked me, it didn't do diddly."
Alice smiles to herself. "Don't worry. I highly doubt you'll have any further trouble with any youkai, at least until you get to the village. Just follow the path to the dirt road and turn left, and you'll be at the village in no time at all. Oh, Shanghai!" she calls as you mount up. "Please get the gate for our guest if you would be so kind, dears."
The dolls immediately stop and dart over to the gate, unlatching it and opening it in one smooth coordinated movement. You're already walking Virginia towards it, intent to not waste any time getting out of this forest. Before you leave the yard, you turn around and doff your hat one last time as a proper officerly thank you. Alice waves back, as do the Shanghais as you pass through the gate. Although, you think to yourself as you pass them, their goodbye seems almost tearful. But you spare it no further thought as you ease Virginia up to a brisk trot and get on your way.
***
It's about ten minutes down the line before you notice the satchel rustling. You were too busy watching the trees, your rifle resting uneasily on your saddle. By the time the satchel draws your attention, it's far too late to even bring your gun to bear on it before it bursts open...revealing another Shanghai.
You stare incredulously at the doll as it...stretches? Yes, it's definitely stretching, and going through all of the other motions of a person waking up after a good night's sleep. After it-well, she-rubs her eyes one last time, she becomes aware of the forest around her, and starts staring out at the world. At this juncture, you decide to go with the only logical option left in a brain faced with an animate stowaway doll.
You make small talk with it.
"So," you say as you shift your rifle some, "First time outside in the real world?"
The Shanghai nods slowly, as if to not miss any detail of the passing forest. Even more slowly, she floats up and around you, still taking in everything. She even spends a good minute taking in that she was riding on Virginia, before settling down on top of your horse's head and beginning to take in the whole world in wonder once again.
You stare a little more at the doll before sighing deeply. "I give up," you mutter to yourself under your breath. "Ain't no sense to be had in this nonsense. Excuse me, little darlin'?" you say as you raise your voice to address the doll, "I know you like the view from atop Virginia's head, but I don't want you taking a tumble if we have to go 'a leaping. Here," you grab some of Virginia's mane in you hand to demonstrate. "Could you please at least hold on to this so you don't fall off?"
Shanghai looks at you blankly for a second before comprehension dawns across her face. She excitedly grabs two handfuls of Virginia's mane and pantomimes holding them like reigns. Unfortunately, while her arms aren't long enough to really pull on the mane, Virginia is still not pleased. She whinnies and flicks her ears to make the point clear. You go to pat her neck to sooth her, but the doll is already beaten you to the punch. As you watch her pat Virginia's head, you can almost hear her say "There there, girl".
Virginia snorts once, but she stops flicking her ears.
***
You keep your rifle unholstered, but Alice's prediction holds true. During your trek through the forest, you saw neither head nor tail of anything that's a mite bit threatening. Frankly, you think to yourself, it's about the most boring forest you've ever ridden through. Even the ones in Tennessee had bears to liven up the times when the Damnyankees weren't shooting at you. Your surprise passenger doesn't seem to care, however. She hasn't budged since sitting down on Virginia's head.
After what feels like several hours, the forest clears, and you find yourself on the edge of a farmer's field. At least, you THINK it's a farmer's field. It looks vaguely like the rice plantations you saw in Georgia, but there's something off about it. You can't put your finger on it, but it nags in the back of your mind as you ride past it on the road.
Up ahead, you spot a building like you've never seen before, at least not in person. From what you can see, it looks like a flat panel wooden house with the ends of its roof angled up. It looks like the pictures you've seen of the mysterious Orient, especially the ones that were printed in the special issue your local paper ran when Commodore Perry returned from Japan in 1855. As you pass, you note the sign posted above the door in elegant lettering: Kourindou. You see a smaller one amidst all of the strange objects in front: Paying Customers Only. What the Hell a Kourindou is, you have no idea. But you think the place is a shop of some kind, so you make a note to peruse it sometime in the future if you get the chance. At least, you hope it's a shop.
Leaving the building and its strange objects behind you, you spot what has to be the human village. The sight makes you halt your horse momentarily: all of the buildings look like the "Kourindou" you just passed. They look like the foreign Japanese towns you saw through Perry's eyes. You shake your head to clear it and nudge Virginia onwards once more, smoothly holstering your rifle. Well, at least that's one question answered, you think to yourself. Although you have no idea why Japan would have signs in English instead of that curious chickenscratch language of theirs. Perhaps you're in an American or British concession, like they have in China? Something to ask the locals when you get the chance, you suppose.
As you get Virginia moving again, your doll companion springs up from her perch. She had been content to just stare around in wonder, but something suddenly possesses her to just bolt for the satchel she had been in. She gently lowers herself back in, making sure to tuck her dress so it isn't in the way. She grabs a piece of paper in one hand, and then pulls the flap of the satchel down over her head.
You suppose it's a good thing she did so. Immediately after the satchel is closed once more, you turn the corner into the village and just as immediately become the center of attention. People stop what they are doing to stare at you. You feel slightly nervous, but it's nothing you haven't already felt in New Orleans. You give them a friendly wave as you walk Virginia past.
Making a turn onto a larger street, it suddenly occurs to you that you have no idea where the florist is. You could spend all day wandering the various sidestreets and alleyways reading every sign trying to find it. You could ask someone...if you could convince them to stop gawking at you for thirty seconds. You sigh. Even still, that's probably your best option.
You select a...fishmonger? to ask. As you pull Virginia to a halt in front of his stall, he doesn't even look up from his wares. "Each fish, one-eighty yen. Take your pick. I guarantee nobody in the village has better prices, farmer."
You stop midway through doffing your hat, the wind taken from your sails. "Uh, thank you, suh, but I'm not in the mood for fish today. I'm in a mite bit bigger need of directions."
He glances up at that, a look of confusion plain on his face. "And where might you need directions to, outsider?" he asks as he looks over you.
"I was told to deliver a package to the florist, suh," You chuckle some. "The sender forgot to give me directions, of course."
The fishmonger looks over you incredulously. "Next street over, take a left. Can't miss it," he says, pointing in the right direction.
You doff your hat once more. "Thank you, suh. I'll be on my way then. Giddyup!" you exclaim as you knee Virginia back into motion. As you move off, you hear the fishmonger mutter under his breath "I swear, this place spits out weirder weirdos every goddamn day," You briefly consider stopping and demanding an explanation, but you doubt that a duel would be that well received on your first day in a strange land.
***
You find the florist's just as easily as the fishmonger said; it even has a large flower drawn on its sign. Why they need to bother when they have wares on tables out front you have no idea. You dismount with a flourish, throwing the satchel over your shoulder. You almost tie up Virginia in front of the store, but immediately decide that spending all your money on a lunch for your horse isn't in your best interests. You lead her over to what appears to be a furniture shop and tie her there.
Stepping inside the shop, a familiar bell announces your entrance as you remove your hat. The florist steps out of a back room with a smile. "Good afternoon, sir! How may I be of assistance on this fine day?"
You shift the satchel into your hand. "And a good afternoon to you too, suh! I have a package here for your daughter."
"Oh? Hanako, could you come here, please?"
A little girl no older than eight comes out of the back room a few seconds later, preceded by a groan. "What is it, Papa? I wanted to get Miss Kamishirasawa's homework done the day it was assigned for once!"
Her father indicates you. "You have a visitor, Hanako."
You clear your throat before offering the satchel. "Here you are, ma'am. Courtesy of Miss Margatroid."
The smile instantly slips from her father's face as Hanako takes the satchel. "What?!"
Shanghai takes her cue. She springs upwards from the satchel at that moment holding the piece of paper she had earlier. The little girl is taken aback momentarily, before her eyes sparkle with delight. She practically screams "DOLLY!" as she grabs and embraces Shanghai in a hug. As the two spin around, you can make out the piece of paper Shanghai is still holding: "Hello! My name is Shanghai! I'm your new friend!". You can also make out the look of relief and affection evident on the doll's small face.
"Oh Papa, I can't believe it!" Hanako practically shrieks as she holds up Shanghai to examine her better. "A living dolly!" Shanghai nods, as if she needs to confirm this. Hanako responds by bringing her in a tight hug again. "Oh we are going to have so much fun together! We'll have so many tea parties and you'll be my bestest friend and..." A look of dawning comprehension crosses her face. "...Kuniko! I've got to show Kuniko this! She'll be sooooooo jealous! I can't believe it, a real living dolly!" She releases Shanghai from her hug and makes for the door, with the doll zipping along behind her in the air. "Bye, Papa! I'll be back for dinner!" With a ring of the bell, the two of them are out the door and tearing up the street.
You chuckle to yourself, smiling at the scene of pure childish joy you had just witnessed. You turn to her father to say something, but the man's glower of hatred kills it in your throat. "So," the man icily states, "that was the present for my little girl? A youkai SPY?!"
"Suh, I don't know wh-"
"Oh, you DAMN WELL know what I am talking about!" the man snarls. "That fucking 'dolly' came from that demon witch, Alice! And you brought it into my house!"
"Suh, I sa-"
"Oh, she SAYS that they're just gifts!" the man rambles on, his eyes never leaving yours. "Presents! A 'gift from a dollmaker to the good little girls of the village to build good will'! That's what she said after she gave away the first one. This one today that you so courteously delivered was the fourth. Four of those damn demon bitch's fucking dolls floating around our village, telling their mistress everything that goes on in our very HOMES!"
"I don't know who you take me for, 'suh'," you icily reply, "But I will not have a lady insulted in such a manner in my presence! Explain yourself, suh!" You brush your coat aside for effect.
The man's attention is drawn to the motion, and a look of betrayal momentarily crosses his face. "You know what I mean! They aren't living things! She's controlling each and every one! She looks through their eyes all the time, deciding how they're going to act!"
"No suh," you scoff. "I don't believe I do know what you mean. But if these dolls are as you say, then why don't you just take them away?"
"BAH!" the florist spits. "Just one of those damn things could level the whole village on its lonesome! Once they're in our homes, we can't get rid of them! It's a no-lose situation for the bitch once she gets them to the girls, since she knows they'll never throw away a 'living dolly' and her parents can't do it themselves."
You feel the heat rising once again. Your hand itches to go for your gun, but you force it back. You aren't going to fight a man like this, not when his young daughter is nearby. "Suh," you grind out with every fiber of self control in your being, "since you wish to persist in slandering a lady's name, I believe I should take my leave before I take actions that your daughter would immensely regret."
"That would be for the best," snarls the florist right back.
You plant your hat back upon your head before executing a perfect about face. You stomp your way to the door before throwing it open, and then slamming it shut behind you with enough force that you hear the bell fall to the floor and break. You smirk darkly as you make your way over to your horse.
You untie her and mount glowering. It's the first time since Atlanta that you've felt so insulted and angry. How could a man act in such a uncouth fashion and still dare to call himself a man?! "Hiyah!" you shout as you knee Virgina forward. The insults themselves aren't the issue-you barely know the woman-but the fact that a man would so casually use such language to refer to her in front of a stranger? You shudder. What kind of place is this to have such a lack of basic common decenc-
You turn onto another street and freeze mid-thought as you instantly spot it walking at the far end of the block. It has its back to you, but you don't need to see its face to know what it is. Blood red hair. Black clothing. Two (!) sets of black bat wings. A seductive walk no mortal could produce.
A demon. In the flesh.
And it's prowling the streets of this small town.
>What'cha gonna do, cowboy?
>[ ]Pursue and Observe! We don't have anything that can take this thing down, but maybe we can tell someone who can where it's gotten to!
>[ ]Apprehend it! We can't just let it run free in this innocent village! Maybe we can hold it until that priestess Alice mentioned can get here!
>[ ]NOOOOOOPE. NOT gettin' involved with this thing!